Suzanne Treister CV

Born London
1977-78 Brighton Polytechnic
1978-81 St Martins School of Art, BA Hons
1981-82 Chelsea School of Art, MA

Represented by Annely Juda Fine Art London, England and P.P.O.W New York


Digital Commission, Serpentine Galleries, London, England

SURVIVOR (F), fig-futures at KARST, Plymouth, England
(March 2019)

SURVIVOR (F)/The New Planet, Sunset Digital Billboards project, IF Innovation Foundation, LA, USA
(1 April -31 May 2019)

SURVIVOR (F), Annely Juda Fine Art, London, England
(20 Sept - 2 Nov 2019)


Hybrid Landscapes, Digital Catapult, London, England
(April 2017 – March 31 2019)

The War of Nerves: Psychological Landscape of the Cold War, The Wende Museum, The Armory, Culver City, California, USA
(16 Sept 2018 - Jan 13 2019)

Liquid Crystal Display, Site Gallery, Sheffield, England
(29 Sept 2018 - 27 Jan 2019)

You Say You Want a Revolution: Records & Rebels 1966-70, ING Art Center, Place Royale 6, 1000 Bruxelles
(24 Oct 2018 – 10 March 2019)

At the Gates, Talbot Rice Gallery, The University of Edinburgh, Scotland
(Oct 26 2018 – 26 Jan 2019)

Computer Grrrls, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
(26 October 2018 – 24 February 2019)

Broken Symmetries, FACT, Liverpool, England
(22 November 2018 – 3 March 2019)

Inhuman Art, ScreenSaverGallery (online)
(6 Dec 2018 - 28 Feb 2019)
& presented at: PAF – Festival of Film Animation and Contemporary Art, Olomouc, Czech Republic
(6-9 December 2018)

Des attentions, Centre d'art contemporain d'Ivry - le Crédac, Ivry-sur-Seine, France
(18 January – 31 March 2019)

Postcards from the Edge, Bortolami Gallery, New York, USA
(Feb 22-24 2019)

Liquid Crystal Display, MIMA, Middlesbrough, England
(21 Feb – 16 May 2019)

2 person show, Mother Culture, LA, USA
(February 2019)

Drawing Biennial 2019, The Drawing Room, London England
(20 February - 3 April 2019)

Computer Grrrls, La Gaîté Lyrique, Paris, France
(13 March – 14 July 2019)

Phytopia, Glynn Vivian Art Gallery, Swansea, Wales
(16 March – 26 May 2019)

FMR LINZ 019, Linz, Austria
(March 27-30 2019)

Zoextropy. The Posthuman Beauty, Museum Centre del Carme, Valencia, Spain
(March-June 2019)Survivor (F)/The New Planet, Sunset Digital Billboards project, IF Innovation Foundation, LA, USA 1 April -31 May 2019

QUANTICA, CCCB Barcelona, Spain
(9th April - 24th September 2019

Smoke and Mirrors, Wellcome Collection, London, England
(11 April – 15 September 2019)

New Age, New Age: Strategies for Survival, DePaul Art Museum, Chicago, USA
(April 25 - August 11 2019)

Computer Grrrls, MU, Eindhoven, Netherlands
(August – September 2019)

16th Istanbul Biennial, Istanbul, Turkey
(14 Sept - 10 Nov 2019)

QUANTICA, Le Lieue Unique, Nantes, France
(9 October 2019 - January 2020)

Mud Muses, Moderna Museet, Stockholm, Sweden
(12 October 2019 – 12 Jan 2020)

Open World: Video Games & Contemporary Art, Akron Art Museum, Ohio, USA
(Autumn 2019)

disturbance: witch, Spandau Citadel, Berlin, Germany
(early 2020)

QUANTICA, iMAL, Brussels, Belgium
(Feb - June 2020)


The Fevered Specters of Art. Catalogue published by Edith Russ Haus, Oldenburg, Germany

Altered States. Substances in Contemporary Art. Catalogue published by Kunstpalais & Städtische Sammlung Erlangen, Germany

Parapolitics: Cultural Freedom and the Cold War, Catalogue, Haus der Kulturen der Welt, Berlin, Germany

Art and Psychedelia: A Critical Reader, Afterall, London, England
(Date TBC)




Le voyage à Bordeaux de Suzanne Treister - Histoires parallèles et récits excentriques, CAPC musée d'art contemporain de Bordeaux, France

Works from SURVIVOR (F), IMT Gallery, London, England

HFT The Gardener, P.P.O.W., New York, USA
HFT The Gardener, Annely Juda Fine Art, London, England
HFT The Gardener, Exhibition Research Lab (ERL)/Liverpool Biennial 2016, Liverpool, England

HEXEN 2.0, Fig-2, ICA, London, England
Post-Surveillance Art, Acting Out festival, Primary, Nottingham, England
Rosalind Brodsky's Electronic Time Traveliing Costumes, Schaufenster am Hofgarten, Kunstverein München, Munich, Germany
HEXEN 2.0, Aksioma Project Space, Ljubljana, Slovenia

Event: Post-Surveillance Art, at Chisenhale Gallery, London
Post-Surveillance Art
, Maggs Bookshop, London, England
Supper for Snowden,
Supper Club, Die AU café/restaurant, Thyssen-Bornemisza Art Contemporary, Vienna, Austria further info

In The Name of Art and Other Works
, Annely Juda Fine Art, London, England
, Cleveland Institute of Art (CIA), Cleveland, Ohio, USA
, P.P.O.W, New York, USA
Grimoir du Futur, Espace Multimédia Gantner, Bourogne, France

, D21 Kunstraum, Leipzig, Germany
, Hartware MedienKunstverein, Dortmund, Germany
HEXEN 2.0,
Science Museum, London, England
HEXEN 2.0/Literature
, WORK Gallery, London, England

HEXEN 2.0, DEATH BE KIND, Melbourne, Australia

MTB [Military Training Base], Alma Enterprises, London

NATO Black Dog Publishing, London, UK
3 Projects, Annely Juda Fine Art, London, England
HEXEN 2039 and Alchemy, Galerie Lorenz, Frankfurt, Germany
Alchemy P.P.O.W New York, USA
HEXEN 2039, Kunstverein Langenhagen, Germany

HEXEN 2039, Skolska 28, Prague, Czech Republic
HEXEN 2039, New Art Gallery Walsall, UK
HEXEN 2039, Book launch and screening, City Lights, San Francisco, USA
HEXEN 2039, Screening, Star and Shadow Cinema, Newcastle upon Tyne, UK

HEXEN 2039, Multi-venue project across London. Installation: CHELSEA space; Screening: Warburg Institute; Interverventions: Ognisko Polskie, Science Museum, British Museum; Event: Dana Centre and the internet Funded by Arts Council of England.
VESNA, (video installation) Commission for Art under construction: the Balkans in context, City Atrium,Social Sciences Building, City University, London, England

Operation Swanlake, Annely Juda Fine Art, London, England.
Operation Swanlake, Kunstlerhaus Bethanien, Berlin, Germany.
Operation Swanlake, MOP project space, Sydney, Australia.

Rosalind Brodsky - Music case history, Briefcase project, Hollywood Hotel + mobile, Sydney.

Sightings/Archives from the Institute of Militronics and Advanced Time Interventionality, Digimatter/Grey Matter, Sydney.
Sightings, Greenaway Gallery, Adelaide.

Odyssey, (an investigation into the lives of Rosalind Brodsky and Pope Alice) Institute of Modern Art, Brisbane.
No Other Symptoms - Time Travelling with Rosalind Brodsky, (CD ROM and video installation) Artspace, Sydney.
No Other Symptoms - Time Travelling with Rosalind Brodsky, CD ROM - Launch event with performance (involving Richard Grayson, Susan Hiller, Pauline van Mourik Broekman, Elaine Pyke and James Flint) and 'Ghosts of Maresfield Gardens' video installation, Freud Museum, London, England.

Dying for your sins, (CD ROM) Australian Centre for Contemporary Art, Melbourne.

Time Travelling with Rosalind Brodsky, The Tannery-project space, London, England.
Dying for your sins, (CD ROM Installation) Institute of Modern Art, Brisbane.
Kitsch'n Shrink, Greenaway Gallery, Adelaide.

Q.Would you recognise a Virtual Paradise?, Mizuma Art Gallery, Tokyo.

Q.Would you recognise a Virtual Paradise?and other paintings, Contemporary Art Centre of South Australia.
Q.Would you recognise a Virtual Paradise?, Australian Centre for Contemporary Art, Melbourne.

Q.Would you recognise a Virtual Paradise?, Exeter Hotel, Adelaide.
Recorded Evidence:Prosthetic Speech, [RE] Gallery, Adelaide.
Software, Union Gallery, University of Adelaide.

Edward Totah Gallery, London.
Between the Clues lies the Evidence, PostWest, Adelaide.

Edward Totah Gallery, London.
Kerlin Gallery, Dublin.
Ikon Gallery, Birmingham: Major Arts Council touring exhibition, to: Spacex, Exeter; Oldham Art Gallery; The Minories, Colchester; Darlington Arts Centre; Nottingham Castle Art Gallery.

Edward Totah Gallery, London.

Edward Totah Gallery, London.



Bordeaux/Garonne Public Art Project,
The Spaceships of Bordeaux / Les vaisseaux de Bordeaux



Inhuman Art, ScreenSaverGallery (online) & presented at: PAF – Festival of Film Animation and Contemporary Art, Olomouc, Czech Republic
Broken Symmetries, FACT, Liverpool, England
50 Years – 50 Artists, Annely Juda Fine Art, London, England
Sci-Fi episode #1: PRELUDE, Public art project on the occasion of the 18th edition of the Trieste Science+Fiction Festival, Trieste Italy
Agency, NOME, Berlin, Germany
Computer Grrrls, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
At the Gates, Talbot Rice Gallery, The University of Edinburgh, Scotland
You Say You Want a Revolution: Records & Rebels 1966-70, ING Art Center, Place Royale 6, 1000 Bruxelles
Im Zweifel für den Zweifel, NRW-FORUM DÜSSELDORF, Germany
The War of Nerves: Psychological Landscape of the Cold War, The Wende Museum, The Armory, Culver City, California, USA

Liquid Crystal Display, Site Gallery, Sheffield, England
GROUP PORTRAIT WITH GARDEN, Mecklenburgh Square, London, England
Divided We Stand, Busan Biennale 2018, Busan, South Korea
Hayward Gallery commission for Art Night, SURVIVOR (F) + Interplanetary Dresses For Space Travel, Battersea Power Station hoardings, London, England
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Cloudbusters. Intensity vs Intension, Tallinn Print Triennial, Contemporary Art Museum of Estonia (EKKM), Tallinn, Estonia

When Facts Don't Matter, Lismore Castle Arts, Lismore, Ireland
BLACK LIGHT: Hermetic Traditions in Contemporary Art Since the 1950s, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
Now Play This, Somerset House, London, England
Magic Circle, Kunstraum Niederösterreich, Vienna, Austria
Altered States. Substances in Contemporary Art, Kunstpalais & Städtische Sammlung Erlangen, Germany
Perpetual Uncertainty, Malmö Konstmuseum, Sweden
Phytopia, Thames-Side Studios Gallery, London, England
Postcards from the Edge, Gallery 524, New York, USA

Revolution: Records and Rebels 1966 - 1970 dai Beatles a Woodstock, V&A touring exhibition, Fabbrica del Vapore, Milan, Italy
Black Mirror, The Gallery, Arts University Bournemouth, England
Phytopia, Milton Gallery, St. Paul's School, London, England
0100011111010100, Le numérique dans les collections des FRAC du Grand Est,  Maison de la Région, Strasbourg, France
Techno-ésotérisme et animisme digital, Festival international des Arts multimédia GAMERZ 13ème édition, Aix-en-Provence, France
Parapolitik: Kulturelle Freiheit und Kalter Krieg, Haus der Kulturen der Welt, Berlin, Germany
Haunted Machines & Wicked Problems: Myth, Magic & Monsters, Casco/Fotodok, Impakt Festival, Utrecht
Perpetual Uncertainty, Z33, Hasselt, Belgium

Open Codes, Living in Digital Worlds, ZKM, Karlsruhe, Germany
The World Without Us, Mali Salon, Museum of Modern and Contemporary Art, Rijeka, Croatia

FIBER & LIQUIDS, Darknet exhibition. Kunstverein Harburger Bahnhof, Hamburg, Germany; Kunsthaus Graz, Austria. In cooperation with Galerie für Zeitgenössische Kunst Leipzig, Germany
Visual Notes for an Upside-Down World, P.P.O.W., New York, USA
'&', Muzeum Sztuki, Lodz, Poland
The World Without Us, Vžigalica Gallery, Ljubljana, Slovenia

You Say You Want a Revolution: Records & Rebels 1966-70, Montreal Museum of Fine Arts, Montreal, Canada
WINDOWS, Computer + Software, (shop window project), Basel, Switzerland

WRO Biennale 2017: DRAFT SYSTEMS, WRO Art Center, Wroclaw, Poland
Hybrid Landscapes, Digital Catapult, London, England
As Above, So Below: Portals, Visions, Spirits & Mystics, IMMA–Irish Museum of Modern Art, Dublin
Memoirs Found in a Bathtub, Minibar, Stockholm, Sweden
Ruse: the artfulness of deceit, Holden Gallery, Manchester School of Art, UK
Planetary Gardening, Photo Access, Manuka Arts Centre, Canberra, Australia
Drawing Biennial 2017, Drawing Room, London, England
Evidentiary Realism, Fridman Gallery New York, USA
Artefact: the Act of Magic, Stuk Kunstcentrum, Leuven, Belgium
Tropical Hangover, Tenderpixel, London, England
alien matter, Transmediale 2017, Haus der Kulturen der Welt, Berlin, Germany
Trans-Subjective Engagements, Koenig and Clinton, New York, USA
Postcards from the Edge, Metro Pictures, New York, USA
Underlying system is not known - Current trends in pattern and repetition, Western Exhibitions, Chicago, USA

New World Order, Casula Powerhouse, Sydney, Australia

Collective Task, 67 Ludlow Street, New York, USA
The Museum of Rhythm, Muzeum Sztuki ms1, Lodz, Poland
The Fevered Specters of Art—Die fiebrigen Gespenster der Kunst, Edith-Russ-Haus, Oldenburg, Germany
The World Without Us, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
Perpetual Uncertainty, Bildmuseet, Umea, Sweden
New Mythologies, launch exhibition, POSTmatter, Second Home, London, England
You Say You Want a Revolution: Records & Rebels 1966-70, Victoria and Albert Museum, London, England

500 años sin lugar: un regreso a la isla de Utopía, La Fundació Palma Espai d’Art, Palma, Mallorca, Spain
Liverpool Biennial 2016, Liverpool, UK

The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
Hailweed, Auto Italia, London, England
Third Nature: On Infrastructure, Alchemy and its Futures, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA
Anarchronisme, Espace Multimédia Gantner, Bourogne, France
Fourteen Turns: Meditations on a Coffee Mill
, Lubomirov/Angus-Hughes, London, England

WE transFORM: Design between Dystopia and Utopia, Neues Museum, Nuremberg, Germany

Signal to Code: 50 Years of Media Art in The Rose Goldsen Archive, Hirshland Exhibition Gallery, Cornell University, Ithaca, NY USA

(Artifical Intelligence) Digitale Demenz, Hartware MedienKunstVerein, Dortmund, Germany
A Foreign Encounter, Galerie FOE 156, Munich, Germany
Digitale Demenz (Artificial Intelligence), EIGEN + ART Lab, Berlin, Germany
I See, So I See So. Messages from Harry Smith, Temporary Gallery, Zentrum für zeitgenössische Kunst, Cologne, Germany
Infosphere, ZKM | Center for Art and Media Karlsruhe, Germany

Control Mode Feedback, HALLE 14, Leipzig, Germany
Graphics Interchange Format: 25 Years of Focal Point Gallery, Focal Point, Southend, England
Island - Adaptation II, g39 Cardiff, Wales
Algorithmic Rubbish: Daring to Defy Misfortune, Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, Netherlands

Air de Jeu, Extension du Domaine du Jeu (Broadening of the game-field), Le Nouveau Festival du Centre Pompidou 6th Édition. Espace 315, Centre Pompidou, Paris, France
Anarchronism, iMAL, Center for digital cultures and technology, Brussels, Belgium
Anonymity no longer an option, SEVEN, Pierogi The Boiler, Brooklyn, New York, USA
Test Exposure, 16th WRO Media Art Biennale, WRO Art Center, Wroclaw, Poland

De Dingen en De Materialen/Things and Materials: Glass, Het Nieuwe Instituut, Rotterdam, Netherlands
Edge of Control, Academy of Media Arts Cologne, Germany
Telling Lies, Rua Red, Dublin, Ireland
RARE EARTH, Thyssen-Bornemisza Art Contemporary-Augarten, Vienna, Austria
Postcards from the Edge AIDS benefit, Luhring Augustine, New York, USA
Sex Shop, Transition Gallery, London, England
Drawing Biennial 2015, Drawing Room, London, England
Welcome to the Future! the floppy cd-rom revolution (or the short life of born-digital art), iMAL Center for digital cultures and technology, Brussels, Belgium

Social Factory: 10th Shanghai Biennale, China
L'avenir (looking forward), 8th Biennale de Montréal, Canada

ING Discerning Eye, Mall Galleries, London
A Politics of Drawing: Proposal for a Method of Transformation, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, USA
Sex Shop, Folkestone Triennial satellite exhibition, Folkestone, England

Treasure of Lima: A Buried Exhibition, T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna/Cocos Island, Costa Rica
BLACKMODULAR (first edition), Modern Art Projects (MAP), House of Joyce Hinterding and David Haines, Lawson, Blue Mountains, Sydney, Australia
Média Médiums, YGREC Gallery, Paris, France
Networks in Reverse, lecture performance, at Radical Enlightenment symposium, Adelaide Festival - Artists' Week, curated by Lars Bang Larsen, Adelaide, Australia
The Art of Tarot, The Bank, Eye, Suffolk, England
Outrageous Fortune: Artists Remake The Tarot, A Hayward Touring/Focal Point Gallery exhibition, Phoenix Gallery, Exeter, England
Songes numériques, Gymnase-espace culturel, Fort Griffon à Besançon, l'Université de Franche-Comté, France
Imagination of Matter: An exhibition in memory of Monica Ross, New School House Gallery, York, England
Of Häxan and Hexen 2.0, Curious Matters Forum, curated by Petra Lange-Berndt, Department of History of Art, University College London, England, 22 Jan 2014 view images

Artists of the Colony Room, England & Co, London, UK
footnotes17, Guardian gallery, Kings Place, 90 York Way, London, England
Microutopias of the everyday: Exhibition of the collection of CoCA Torun, Centre of Contemporary Art Torun, Poland
Systemics #2 - As we may think (or the next world library), Kunsthal Aarhus, Denmark
The Whole Earth. California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany
Chick Lit: Revised Summer Reading, Tracy Williams Ltd, New York, USA
Radical Enlightenment. A Symposium on Cybernetics and the Soul, Palais de Tokyo, Paris, France

A World of Wild Doubt, Hamburger Kunstverein, Hamburg, Germany
Drawing Biennial 2013, The Drawing Room, London, England
Illustrative 13 Berlin, Direktorenhaus, Berlin, Germany
Symposium project, >Schutzraum Politik Ästhetik Medien< (>Protective Space< Politics Aesthetics Media), Thealit, Bremen, Germany

Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel
Plus ou moins sorcières 3/3 : Hugger-Mugger, La Maison Populaire, Montreuil, Paris, France
Turn to Red, FLOOD, Dublin, Ireland
Horticulture, Galerie Lorenz, Frankfurt, Germany
Utopia - oder die Sehnsucht nach dem Nichts, Galerie Pankow, Berlin, Germany

Mutatis Mutandis, curated by Catherine David, Secession, Vienna, Austria
Papier a en-tete (Letterhead ), Cabinet du livre d'artiste, Rennes II University Gallery, France
Collection Espace multimédia gantner, Festival Electrochoc, Abattoirs a Bourgoin-Jallieu, France
The Curator's Egg, Altera Pars, Anthony Reynolds Gallery, London
The Museum Problem, Frutta, Rome, Italy
Malas Escrituras, Galeria Nieves Fernandez, Madrid, Spain

Remise en Jeu, La Kunsthalle Mulhouse Centre d'art contemporain, France
Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; CAPC, Musée d'art Contemporain de Bordeaux, France
The True Artist Helps the World by Revealing Magick Truths, D21 Kunstraum, Leipzig, Germany
Art/Systeme/Poésie, In Situ / Fabienne Leclerc, Paris, France
The Big Society
, Galerie GP&N Vallois, Paris, France
Everyday, Ruskin Gallery, Cambridge School of Art, England
Outrageous Fortune, Hayward Touring show, Focal Point Gallery, Southend. Tour: Queens Hall Arts Centre, Hexham; Jersey Arts Centre, St Helier; Mac, Birmingham; The Gallery, York College, York, England
Drawing 2011, Biennial Fundraiser, Drawing room, London, England
Works from the collection of Espace Multimédia Gantner, Bcubico Art Center, Recife, Brazil
Nouvelles du Jour, JTM Gallery, Paris, France

East End Promise: A Story of Cultural Migrants 1985-2000, Londonewcastle Project Space, London
4x6 inches, Galerie Lorenz, Frankfurt, Germany
Art numérique de la Collection de l'Espace Multimedia Gantner
, Galerie de la Scene Nationale, Le Granit Belfort, France
Cross-fades. Reconstructing the Future
, Shedhalle Zurich, Switzerland
Shift Electronic Arts Festival, Basel, Switzerland
Parallel Re Mix, Leonard Hutton Galleries, New York, USA
London Psychogeophysics Summit, with SPACE Media Arts, and HTTP gallery/Furtherfield, London, England
Reinventing Ritual, Contemporary Jewish Museum, San Francisco, USA
Magic Show, Hayward touring show: Grundy Art Gallery, Blackpool; Tullie House Museum and Art Gallery, Carlisle; Chapter, Cardiff; Pump House Gallery, London, England
Awake are only the Spirits, Center for Contemporary Art Znaki Czasu (CoCA) Torun, Poland
Should I Stay or Should I Go, A question rehearsed by RUN, CHELSEA space 5th Anniversary Exhibition, CHELSEA Space, London, England
Making Ships in Bottles, CGP, Southwark, London, UK
Documentalist, Collective Gallery, Edinburgh, Scotland

Reinventing Ritual
, The Jewish Museum, New York, USA
Magic Show, Hayward touring show: Quad, Derby, England
Insiders - pratiques, usages, savoir-faire, CAPC Museum of Contemporary Art, Bordeaux, France
Scorpio's Garden
, Temporary Kunsthalle, Berlin, Germany
Planet of Signs, Le Plateau Art Center, FRAC Paris, Ile de France
Image Search, P.P.O.W New York, USA
Tactical Support: Curator's Choice Tracy WIlliams Ltd, New York, USA
Awake are only the Spirits, Hartware MedienKunstVerein (HMKV), PHOENIX Halle, Dortmund, Germany
Drawing 2009 - Biennial Fundraiser, The Drawing Room, London, England
The Secret of the Ninth Planet, CCA Curatorial Practice exhibition, Queens Nails Projects, Photo Epicenter and the Studio for Urban Projects, San Francisco, USA
Histoires a l'ere numérique - works from the collection of Espace Multimédia Gantner, [], Basel, Switzerland
Gothic, Contemporary Art Society fundraiser event, Sotheby's New Bond Street, London, England

Tina B, The Prague Contemporary Art Festival, Billboard Text Art - EMERGING WOR(L)DS
Obama Fundraiser, P.P.O.W, New York, USA
By Invitation Only 2, Kinz, Tillou + Feigen, NY, USA
Bad Year Blimp, Alma Enterprises, London, England
The Disarmory Show, a dBfoundation project, 201 Mulberry Street, New York, USA
Gegen den Strich, Bielefelder Kunstverein, Germany

Gegen den Strich, Kunstlerhaus Bethanien, Berlin, Germany
How We May Be, Late at the Tate, Tate Britain, London, England
Jerwood Drawing Prize, Jerwood Gallery, London and UK tour
3Things, (curated by Donald Smith) RUN Gallery, London, England
ARTIST MAKES VIDEO: art rage survey 1994-1998, art rage: artworks for television, DELL Gallery@QCA , Brisbane, Australia
Annely Juda - A Celebration, Annely Juda Fine Art, London, England
FILE RIO (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, Centro Cultural da Oi Futuro, Rio de Janeiro, Brazil

Flash on the Screen, Basekamp space, Philadelphia, USA
DUSK, by Raul Zamudio, (curatorial section of Digital Video Art Fair (DiVA)) Lummus Park, Ocean Drive, Miami Beach, FL, USA
Drawing from Turner, Clore Gallery, Tate Britain, London, England
FILE 2006 (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil.

The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and Visual Culture, University of Maryland Baltimore County, USA and touring USA
NATO, project space at Annely Juda Fine Art, Frieze, London.
ICOLS Strategy Defense and Arms Fair, The Performance Space, Sydney, Australia
Glasgow International, ICOLS Strategy Defense and Arms Fair, RISK, CCA, Glasgow, Scotland
ICOLS audio, finetuned, ETA Project Space, Hove, UK
10th Anniversary Exhibition, Mizuma Art Gallery, Tokyo, Japan
Don't Call it Performance, Konceptkonstmuseum, Rydboholm, Sweden
ICOLS in Evolutionare Zellen Archive, NGBK, Berlin, Germany
Bodies Through Technology, Tompkins County Public Library, Ithaca, New York, USA.
Operation Swanlake, Transmediale.05 Haus der Kulturen der Welt, Berlin, Germany

Don't Call it Performance, Centro Andaluz de Arte Contempor‡neo,Seville, Spain; Domus Artium 2002 (DA2) Salamanca, Spain; El Museo del Barrio, New York, USA.
CITY OF WOMEN 10th International Festival of Contemporary Arts, Gallery Skuc, Ljubljana, Slovenia.
ICOLS, in Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL USA.
ICOLS in Connect the Dots, The LeRoy Neiman Gallery, Columbia University, New York, USA.
ICOLS Strategy Defense and Arms Fair, ferry between Helsinki, Stockholm, Mariehamn, Tallin, ISEA 2004.
Media Forum of the XXVI Moscow International Film Festival, ClubnaBrestskoj, Moscow, Russia.
PLANET B Das B-Movie in der zeitgenšssichen Kunst, Magazin4 Vorarlberger Kunstverein, KŸnstlerhaus Palais Thurn & Taxis, Bregenz, Austria.
Operation Swanlake, FILE 2004- festival internacional de linguagem eletr™nica, Sesi Gallery, S‹o Paulo, Brazil.
Contact Zones, New World Gallery @ Radio Free Hamptons, Sag Harbor, New York, USA.
Digital Salon, The ART Mission, Binghamton, NY, USA.
Eurographics 2004, WTC, Grenoble, France.
Metis:Time/Beam me up, ANU School of Art Gallery, Canberra, Australia.
Unframed, Standpoint Gallery, London.
Fly Utopia!, transmediale.04, Haus der Kulturen der Welt, Berlin, Germany.

Don't Call it Performance, Centro de Arte Reina Sof’a, Madrid;Centro Parraga, Murcia, Spain
New York Calling, P.S.1 Australian Studio project, Long Island City, NY USA
Paradies (Paradise) MAIS V, Bunker under Alexanderplatz, Berlin, Germany
ICOLS AUDIO juniradio Berlin104.1 08.-30. juni
FILE 2003- festival internacional de linguagem eletr™nica, Museum of Image and Sound (MIS) S‹o Paulo, Brazil.
wywh wish you were here, First Draft Gallery, Sydney, Australia
ICOLS How to be a perfect guest, Sharjah International Biennial 6, Sharjah Art Museums and Expo Centre Sharjah, United Arab Emirates.
ICOLS Glasgow Event, Wasps Studios, Glasgow, Scotland.
ICOLS, The Esplanade, Theatres on the Bay, Singapore.

Gaze Travelling artroom, gallery suryun, Cologne, Germany
Connecting Principle, Newcastle University UK
ICOLS launch event, Museum of Contemporary Art, Sydney, Australiia.
(The World May Be) Fantastic, Biennale of Sydney, MCA Sydney, Australia.
Underwood Audio 2 (The Communist Manifesto, by Rosalind Brodsky and the Satellites of Lvov) & cd launch event Underwood St, London. exhibition, Irish Museum of Modern Art, Ireland
ICOLS in Art meets Archive, Sydney State Records Centre, Sydney, Australia.

LE NUMERIQUE : nouveau médium de l'art- From 01.10.01 to 01.11.01, Galerie de Pret d'oevres d'Art, Bruxelles, Belgium.
Penthouse and Pavement, Melbourne.
Model Citizen/No More Ice Cream (An ICOLS project with Bronia Iwanczak) Artspace, Sydney, & images at:
Disaster Tourism, Rubyayre, Sydney.
New Releases (video), 4a Gallery, Sydney and tour.


Electronic Art Festival, Cyberslag Foundation, Groningen, Netherlands.
Gene spill, Imperial Slacks Gallery Sydney.
Spooky-Ghosts, Spirits and the Uncanny, Glen Eira City Gallery, Melbourne.
Chemistry, Art Gallery of South Australia, Adelaide.
PUSAN International Contemporary Art Festival, Metropolitan Museum of Art, Pusan,
South Korea.
Moving Image Festival, Youthworks shop window installation SALA 2000, Adelaide.
New Thinking is Rare, South Australian Touring Exhibition Program.
F I L E Festival internacional de linguagem eletrönica, Museum of Image and Sound (MIS) São Paulo, Brazil.
(Second place/offline)
World Wide Video Festival, Amsterdam, Netherlands.
The Noorderzon Festival, Groningen, Netherlands.
Sonar Festival/CD ROM a la carta, Carrer de les Flors 22, Barcelona.
Chip, Melbourne International Film Festival.
Manifest/o, Zagreb, Croatia.
Festival of Independent Press, Museo de la Memoria, Tlaxcala, Mexico.
LIVE-STOCK ram/fm, 72 hour audio event, ARC, Stockton on Tees, UK.
Urban Futures 2000, International Conference and Electronic Art Exhibition, Johannesburg University Art Gallery. or

Love and Consciousness, Artopiques Gallery, Paris, France.
Confined, HERE Gallery, New York, USA. (Presumed Innocent collaboration)
Sex and Consciousness, Artopiques Gallery, Paris, France.
WRO 99 - 7th International Media Art Biennale - Wroclaw, Poland.
21, Spacex, Exeter, UK.
National Digital Art Awards exhibition, Institute of Modern Art, Brisbane.
Women in Film and Television Festival (WIFT) Festival, Sydney.
Fusion, St Kilda Film Festival, Melbourne.
2nd International show of CD ROMs, Media Centre d'Art i Disseny, Barcelona.
Contact Zones, Johnson Museum of Art, Cornell University, USA and travelling to Centro de la Imagen,Mexico City, Virginia film festival and touring US and Canada 2000-2001.
Fast + Wide, Broadway Media Centre, Nottingham, U.K.

Third International Video Summit Videomedeja, Kulturni Centar-Art Klub, Novog Sada, Yugoslavia.
ArtRage, ABC TV, Australia.
Interact (video screening)The Exhibition Centre, Melbourne.
Kino-Eye: Cybercities, Royal Palace, Antwerp, Belgium.
Xobject space, Dusseldorf, Germany.
corpoREAL, Tullie House, Carlisle, U.K.
Videonale 8, Bonn Kunstverein, Germany
Isea 98, The Tea Factory, Liverpool, U.K
Pandaemonium Festival, Lux Centre/Standpoint Gallery, London.
European Media Art Festival, Osnabrück, Germany.
National Digital Art Awards exhibition, I.M.A. Brisbane.
Prix Ars Electronica 98, Linz, Austria.
Underbelly, Cosmopolitan Cinema Complex, Adelaide.
Throw Down a Shape, Supermild, sound event, Adelaide, Australia 4 November, 1998
The Plato Problem, University of S.A. Art Museum window (with Richard Grayson).

Technoscience, Hybrid Workspace, Documenta X, Kassel, Germany.
Wardrobe, Madlove Gallery, Adelaide and tour ('98).
Heteronymous (curated by, Achille Bonito Oliva and Anna Maria Nassisi) San Michele a Ripa, Rome, Italy.
Pass Go and other board games, The City Gallery, Leicester, U.K.
Time Travelling with Rosalind Brodsky, Internet project for Electronic Writing Research Ensemble @
On a Clear Day, European Media Art Festival, Osnabrück, Germany.
Thin Skin, The Performance Space, Sydney.
Imprint 93 and related ephemera, Norwich Gallery, Norwich, U.K.
Time Travelling with Rosalind Brodsky, Canberra Festival of Contemporary Arts.

Artists' Week : Compost Telstra Adelaide Festival '96.
Foyer, Temporary space, Adelaide.
White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room), Cleveland project space, London;The Physics Room, Christchurch, New Zealand.
ICA/Toshiba Art and Innovation Commission, shortlist exhibition, ICA, London.
On a Clear Day (CD ROM ,Website and publication project, curated by John Paul Bichard) ICA, London; Cambridge Darkroom; John Hansard Gallery, Southampton; First Site, Colchester; Focal Point, Southend; Oldham Art Gallery & Middlesborough Art Gallery.
Domestic Disturbances, Fifth Experimenta Media Arts Festival, National Gallery of Victoria, Melbourne, Noosa Regional Gallery and touring.

It's a Pleasure, Royal Festival Hall, London.
U.K. Wit and Excess, C.A.C. South Australia, A.C.C.A. Melbourne, Ivan Docherty, Sydney, I.M.A. Brisbane.
Street Gallery, Mishima Ave shopping arcade festival, Sizuoka, Japan.
Frank Thing, Sym Choon Gallery, Adelaide.
Parallel Internet gallery and journal web project.
Weird Science, Australia Centre, Manila, Phillipines.
Technothelylogia, Monash University Gallery, Melbourne.
ROMulus and RAMbo-Body language in cyberspace, Canberra School of Art Gallery.
Pretext:Heteronyms, Rear Window, Clink St. Studios, London.
Contemporary Art Society market Royal Festival Hall, London.

Flat, Union Gallery, University of Adelaide.
Whitechapel Open Whitechapel Art Gallery, London.
Presumed Innocent collaboration, Exeter Hotel, Adelaide.
Lead and Follow, Atlantis, London.

New Voices - Jeunes Artistes Britanniques, Musee National d'Histoire et d'Art a Luxembourg; Centre d'Art Santa Monica Barcelona; Museo de Bellas Artes Bilbao; Centro Culturel Galileo Madrid; Sala de Veronicas, Murcia; Pescadera Viega Sala de Arte, Jerez; Kulturhistorisches Museum, Magdeborg, Germany.

Hit and Run, A Presumed Innocent collaborative event, [RE] Gallery, Adelaide.
Moving into View - work from the Arts Council collection, Royal Festival Hall, London.
The return of the Cadavre Exquis, The Drawing Center, N.Y. U.S.A.
VITEA: A.I.P.#7, Fifth Sculpture Triennial, R.M.I.T. Faculty Gallery, Melbourne.
The Disaster Show, with Presumed Innocent, Union Gallery, Adelaide University.
Critical City project, domestic space, Adelaide.

New Voices, British Council touring exhibition. Venues:
Macedonia, Skopje, Museum Of Modern Art. 14/02/1997
Czech Republic, Prague, Czech Museum Of Fine Arts, The House Of The Black Madonna. 04/12/1996
Greece, Thessaloniki, Cultural Centre For The National Bank. 31/10/1996
Slovakia, Bratislava, Mirbachov Palace. 05/08/1996
Russia, Nizhnii Novgorod, Kremlin Museum. 29/05/1996
Russia, St Petersburg, The Russian Museum. 18/04/1996
Greece, Thessaloniki, Cultural Centre For The National Bank Of Greece. 11/03/1996
Greece, Athens, Art Halls Of The Cultural Centre Of The Municipality Of Athens. 19/02/1996
Romania, Bucharest, National Theatre Galleries. 11/01/1996
Germany, Magdeburg, Kulturhistorisches Museum. 12/10/1995
Spain, Jerez, Sala Pescaderia Vieja, Ayuntamiento De Jerez. 02/12/1994
Spain, Murcia, Veronicas, Sala De Exposiciones. 04/11/1994
Spain, Madrid, Centro Cultural Galileo. 05/07/1994
Spain, Bilbao, Museo De Bellas Artes De Bilbao. 03/05/1994
Spain, Barcelona, Centre De Art Santa Monica. 10/03/1994
Turkey, Izmir, Izfas Gallery. 29/11/1993
Turkey, Ankara, State Fine Arts Gallery. 18/10/1993
Turkey, Istanbul, Istanbul Greater City Municipality Taksim Art Gallery. 20/09/1993
Luxembourg, Musee D'art Et D'histoire. 05/03/1993
Belgium, Brussels, Eec Presidency Exhibition. 30/09/1992
Belgium, Brussels, La Borschette. 23/09/1992

Whitechapel Open, Whitechapel Art Gallery, London.
Blast from the Past, Minories Art Gallery, Colchester.
Walls 1, Union Gallery, Adelaide University.
20th Century Women's Art, New Hall College, University of Cambridge.
Scene of the Crime? A Presumed Innocent collaborative installation, Post West, Adelaide.
EdwardTotah Gallery, London.
Nothing is {Hidden}, - (collaborative installation with Pamela Golden, Andrew Renton and LindaLevinson),
Rear Window, Lambs Conduit St, London.

A Painting Exhibition in Two Parts, Todd Gallery, London.

Decoy, Serpentine Gallery, London.
Global Art, Brent Gallery and Galleria, Houston, Texas.
London passim, Casa Veneta, Trieste.
Whitechapel Open, Whitechapel Art Gallery, London.

XXI Festival International de la Peinture, Cagnes sur Mer , France.
Whitechapel Open, Whitechapel Art Gallery, London.
John Moores, Walker Art gallery, Liverpool (3rd prize).

New Brits: Contemporary British and Scottish Painting, The Contemporary Arts Center, Cincinnati, Ohio, and tour of USA Museums.
Object and Image: British Art in the 1980's, City Museum and Art Gallery Stoke on Trent.
Figuring out the '80's, Laing Art Gallery, Newcastle upon Tyne.
Something solid, Cornerhouse Galley, Manchester.
Whitechapel Open, Whitechapel Art Gallery, London
4 London Artists, Nancy Hoffman Gallery, New York.
It's a still-life, Arts Council Collection, South Bank Centre, London and Tour.

Edward Totah Gallery , London, England
Edward Bates Gallery, Chicago, USA
On a Plate, Serpentine Gallery, London, England

The Golden Thread? Classical Mythology in Contemporary Art, Harris Museum and Art Gallery, Preston, Milton Keynes Exhibition Gallery, Royal Albert Memorial Museum, Exeter, Bradford Art galleries and Museums, Bradford. 1986-87.
Love, Sacred and Profane, Plymouth Arts Centre and Stoke Museum.
Interference, Riverside Studios, London.
Camden Annual, Camden Arts Centre, London.
4 British Artists, Edward Bates Gallery, Chicago, USA.

Nature Morte, Edward Totah Gallery, London.
Open Exhibition, Riverside Studios, London.

Whitechapel Open, Whitechapel Art Gallery, London.
Galerie Davidson, Berlin. (2 person show)
Warwick Arts Trust, London.

Images for Today, Touring exhibition sponsored by Sainsburys

Stowells Trophy, Royal Academy, London.



1991 Founder member of NIH (Nothing is {Hidden} ) London/NY based

1992 Founded PI (Presumed Innocent) Adelaide/NY based

2000 Founded The International Corporation of Lost Structures (ICOLS)



Arts Council of England

Art Gallery of South Australia
Australian Centre for the Moving Image
AXA Collection
British Council
Carré d'Art Jean Bousquet/Musée d'art contemporain, Nimes, France
Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
EMI Paris
FRAC Lorraine, Metz, France
Griffith University, Queensland
Kadist collection, Paris, France
Leeds City Council UK
Leicester County Council UK 
Los Angeles County Museum of Art
Muzeum Sztuki, Lodz, Poland
New Hall Cambridge UK
Centre Pompidou, Musée National d'Art Moderne, France
Science Museum London
Tate Britain
Thyssen-Bornemisza Art Contemporary, Vienna
Wolverhampton Art Gallery UK

International Libraries (cd rom collections):
Tate Britain, London
British Museum, London
UCLA, Santa Rosa Junior College, California, USA
University of Auckland
University of East London
Sydney College of the Arts
Rhodes University, South Africa
The Rose Golden Archive of New Media Art, The Division of Rare and Manuscript Collections, Carl A. Kroch Library Cornell University, Ithaca, NY, USA
L'Espace Multimédia Gantner, France
Fundacio Antoni Tapies Biblioteca, Barcelona



Suzanne Treister, Les vaisseaux de Bordeaux, Silvana Editoriale, Milan, Italy 2017

Suzanne Treister, HFT The Gardener, catalogue, Annely Juda Fine Art, London 2016

Suzanne Treister, HFT The Gardener, with Foreword by Erik Davis, Black Dog Publishing, London 2016

Suzanne Treister, In The Name Of Art and other recent works, Newspaper catalogue, with essay by Richard Grayson, published by Annely Juda Fine Art, London, England 2013

Suzanne Treister, HEXEN 2.0, with essay by Lars Bang Larsen, Black Dog Publishing, London 2012

Suzanne Treister, HEXEN 2.0 Tarot, Black Dog Publishing, Londo, 2012

Suzanne Treister, 3 Projects - catalogue with essay by Richard Grayson publ. Annely Juda Fine Art, London, England 2008

Suzanne Treister, NATO The Military Codification System for the Ordering of Everything in the World, with essay by Marek Kohn. Black Dog Publishing Ltd, London 2008

Suzanne Treister, HEXEN 2039 new military-occult technologies for psychological warfare, with essay 'Waiting for the Gift of Sound and Vision' by Richard Grayson, Black Dog Publishing, London 2006

Suzanne Treister, Operation Swanlake, poster/cat, Annely Juda Fine Art, London, England 2004

Suzanne Treister, No Other Symptoms - Time Travelling with Rosalind Brodsky, CD ROM with 124 page colour hardback book. Published by Black Dog Publishing Ltd, London ISBN: 19013366X, 1999

Suzanne Treister, I.M.A.T.I. From the Rosalind Brodsky Archives Greenaway Gallery cat. Sept 2000

Suzanne Treister, Vibrators from the House of Brodsky, Piece of Paper Press No. 013, ed. Tony White, England 1997

Suzanne Treister, Dying for your sins, catalogue with essay by Richard Grayson, Institute of Modern Art, Brisbane, Australia 1996

Suzanne Treister, Kitsch'n Shrink, catalogue with essay by Chris Chapman, Greenaway Gallery, Adelaide, Australia 1996

Suzanne Treister, Q.Would you recognise a Virtual Paradise?, catalogue essay by Richard Grayson, Mizuma Art Gallery, Tokyo, 1995

Suzanne Treister, Q.Would you recognise a virtual paradise?, catalogue essays by Richard Grayson and Catherine Lumby, Contemporary Art Centre of South Australia (CACSA), Adelaide and Australian Centre for Contemporary Art (ACCA), Melbourne, Australia 1994

Suzanne Treister, Catalogue with essays by Robert Collins and James Josephs, pub. Edward Totah Gallery, London and Ikon Gallery, Birmingham England 1990

Suzanne Treister, catalogue, Edward Totah Gallery, London, UK 1988



Interview, Fukt #17 The Words Issue - Written Drawings, Berlin October 2018

Interview with Joël Vacheron, IDP4041 magazine, Switzerland, November 2018 read interview

Altered States. Substances in Contemporary Art, Kunstpalais & Städtische Sammlung Erlangen catalogue, published by Hatje Cantz Verlag, Berlin, Germany 2018

Magic Circle. Published by Kunstraum Niederösterreich, Vienna 2018

Black light: Secret traditions in art since the 1950s. Essays by Enrique Juncosa, Erik Davis, Cristina Ricupero..Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona 2018

Fig-2 50 projects 50 weeks, Black Dog Publishing, London, England 2018

The Fevered Specters of Art. Published by Edith Russ Haus, Oldenburg, Germany. 2018

The Museum of Rhythm. Published by Muzeum Sztuki, Lodz, Poland and Sternberg Press, NY/Berlin. 2018

The World Without Us. Narratives on the Age of Non-Human Agents/Die Welt Ohne Uns. Erzählungen über das Zeitalter nicht-menschlicher Akteure
Edited by Inke Arns, with contributions by Inke Arns and Nora N. Khan. Published by Revolver Publishing by VVV, 2017

Jardin infini : Une anthologie. Sous la direction d'Emanuele Quinz, Emma Lavigne & Hélène Meisel. Published by Centre Pompidou-Metz 2017

Evidentiary Realism, Exhibition catalogue, essay by Giulia Bini, edited by Paolo Cirio, pub. NOME Berlin, Germany. 2017

Tim Dixon, Art & Accelerationism, Art Monthly Issue 403, February 2017

Garrett Lynch, HFT The Gardener: A Network of Financial Trading, Drugs and Botany, furtherfield, January 5 2017

As Above, So Below. Exhibition catalogue. Published by IMMA Dublin 2017

Astral Bodies. Published by Künstlerhaus Bethanien, Berlin, Germany, April 2017

Peter Suchin, Suzanne Treister: HFT The Gardener, Art Monthly Issue 401, November 2016

Digby Warde-Aldam, Suzanne Treister at Annely Juda, THE WEEK, 15 October 2016

Jonathan Jones, Five of the best... art exhibitions, The Guardian, Friday 23 September 2016

Constant Dullaart, Suzanne Treister, Spike Art Quarterly, Issue 49 Net Art and After, Autumn 2016

Noémie Jennifer, The Mystical Works of an Outsider Artist Who Doesn’t Actually Exist, The Creators Project, New York, Feb 27 2016

Paul Laster, 12 Things to Do in New York’s Art World Before February 12, New York Observer, 8 February 2016

Galleries Chelsea - Suzanne Treister, The New Yorker, February 2016

The Two-Sided Lake: Scenarios, Storyboards and Sets from Liverpool Biennial 2016. Published by Liverpool University Press, England 2016

Social Medium: Artists Writing, 2000–2015. Edited by Jennifer Liese. Published by Paper Monument, Brooklyn, NY, USA. 2016

The Nuclear Culture Source Book. Edited by Ele Carpenter. Published by Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, London. September 2016

SYSTEMICS: Index of Exhibitions and Related Materials, 2013–14 or Exhibition as a Series. Ed. Joasia Krysa. Texts by Boris Groys, Joasia Krysa, Lars Bang Larsen. Sternberg Press, Berlin, Kunsthal Aarhus, Denmark

WEtransFORM. Exhibition catalogue, Neues Museum - Staatlisches Museum für Kunst und Design, Nürnberg, Germany, 2016

Rare Earth. Exhbition catalogue, Sternberg Press/Thyssen-Bornemisza Art Contemporary, Vienna 2016

BNLMTL 2014, L’avenir (looking forward). La Biennale de Montréal catalogue, 2014-15

10th Shanghai Biennale: Social Factory. Anselm Franke. Published by 10th Shanghai Biennale/Power Station of Art, 2014

A Politics of Drawing: Proposal for a Method of Transformation. Exhibition catalogue, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, USA, 2014

Black Mirror 0 - Territory. Edited by Judith Noble, Dominic Shepherd and Robert Ansell. Published by Fulgur Press, London, 2014

Rachel Garfield, Chapter in: 'The Routledge Handbook to Contemporary Jewish Cultures', edited by Nadia Valman and Laurence Roth. Pub. Routledge 2014

Digby Warde-Aldam, Post-Surveillance: Suzanne Treister's riposte to 'Post-Internet' art, Apollo, Sep 9, 2014

NETWORKS, edited by Lars Bang Larsen, Whitechapel Documents of Contemporary Art series, MIT Press, UK/USA, March 2014

Gabriel Coxhead, 'Suzanne Treister: In the Name of Art and Other Recent Works', Art Review, Jan & Feb 2014

Régine Debatty, 'KGB, CIA black sites and drone performance. This must be an exhibition by Suzanne Treister',, January 10, 2014

Eddy Frankel, 'Suzanne Treister: In the Name of Art and Other Recent Works', TimeOut London, Nov 2013

Francesca Gavin, 'Divine Intervention', Dazed and Confused, November 2013

Trine Rytter Andersen, 'Robotgenereret orddiarré og algoritmisk civilisationskritik', Kunsten.Nu, Denmark, 18 Oct 2013

Jeppe Lentz Wildt, 'Systemics #2 - As we may think (or the next world library)', Arhus Stiftstidende, Denmark, 24 Sept 2013

Artist page in Seep, Pages 9 Magazine, pubished in collaboration with the Badischer Kunstverein, Karlsruhe, Germany 2013

Ceci Moss, 'Questioning the World as Image: The 55th Venice Biennale and "The Whole Earth"', Rhizome Jun 20th, 2013

Emily Hall, 'Suzanne Treister at P.P.O.W', Artforum, May 2013

The Whole Earth. Kalifornien und das Verschwinden des Außen / The Whole Earth: California and the Disappearance of the Outside
, Edited by Diedrich Diederichsen and Anselm Franke. Published by Sternberg Press, Berlin. June 2013

Vitamin D2: New Perspectives in Drawing Phaidon Press, UK, May 2013

A World of Wild Doubt, Edited by Dorothee Böhm, Petra Lange-Berndt and Dietmar Rübel. Published by Sternberg Press, Berlin with Kunstverein Hamburg, April 2013

Ann McCoy, 'PAUL LAFFOLEY and SUZANNE TREISTER', The Brooklyn Rail, 5/03/2013

Will Heinrich, 'Suzanne Treister: Hexen 2.0 at P.P.O.W', The New York Observer, 29 January 2013

Ken Johnson, 'Suzanne Treister: Hexen 2.0', The New York Times, February 1, 2013

Interview with Roger Luckhurst, in 'The Machine & the Ghost: Technology & Spiritualism in 19th to 21st Century Art & Culture', Manchester University Press 2013

Zeitschrift für Medienwissenschaft 8, Medienästhetik P. 8. Gastredaktion: Erich Hörl, Mark B. N. Hansen. Verlag Diaphanes, Zürich. Jan 2013

Christoph Tannert, 'Am Späten Abend Der Welt', in Apokalypse I Utopie, exhibition catalogue essay, Galerie Pankow, Berlin, Germany 2012

Alan Dunn, 'Seeing in the dark' Alan Dunn on Suzanne Treister's 20 CIA BLACK SITES (interview), Stimulus Respond magazine, Omen, Summer 2012

Yvonne Volkart and Anke Hoffmann, 'Subverting Disambiguities', Shedhalle, Zurich, Pub. Verlag für moderne Kunst, Nürnberg, Germany 2012

Jens Kassner, 'Digitaler Ritt auf dem Besen', SZENE LEIPZIG, Donnerstag 16 August 2012

Claire Gilly, 'La préhistoire digitale facon tarot divinatoire au HMKV de Dortmund', Le Monde, France, 5 Juillet 2012

Marie Lechner, 'Les arcanes de l'age digital', Libération 22, France, Mercredi 4 Juillet 2012

Sabine B. Vogel, 'Im Theater des Lebens - Wiener Secession', Die Presse, Vienna, Austria, Freitag, 29 Juni 2012

Andrew Pickering, 'CYBERNETIC MAGIC' Mute, 24 May 2012

Tuesday Gutierrez, 'Suzanne Treister's Hexen 2.0 at the Science Museum', Momardi - Visual Arts in London, 24 April 2012

Rachel Williams, 'Hexen 2.0 by Suzanne Treister', The London Word -The Word on the Street, April 22, 2012

Josephine Demuth, 'Suzanne Treister's Hexen 2.0 at the Science Museum, La Bouche Zine, March 22, 2012

Barbara Axt, 'Samba's Mad Science', Instituto Ciencia Hoje (Scientific Institute, Brazil), 21/03/2012

Mike Watson, 'The Museum Problem, Frutta, Rome, Italy', Frieze, 15/03/12

Regine Batty, 'HEXEN 2.0' We Make Money Not Art, March 13, 2012

Adam Smith, 'Science as mystical connections - only art dares!', Notes from the Underground, March 12, 2012

Drisk, 'Hexen 2.0 at The Science Museum', Obsessed With London, March 9, 2012

Tabish Khan, 'Hexen 2.0 @ Science Museum', The Londonist, March 8, 2012

Alex Mathers, 'Hexen 2.0 by artist Suzanne Treister at the Science Museum', Ape On The Moon - Contemporary Visual Arts, 8 March 2012

Pete Stean, 'Suzanne Treister's Hexen 2.0 @ Science Museum', The Londoneer, March 7, 2012

Paul Kilbey, 'Suzanne Treister's HEXEN 2.0', Onestoparts, 7th March 2012

Michael Thompson, 'HEXEN 2.0 at the Science Museum', suite Feb 21, 2012

'Hyperdrawing: Beyond the Lines of Contemporary Art', ed. Phil Sawdon and Russell Marshall, Pub. I. B. Tauris, UK. 2012

'It Is Almost That - A Collection of Image & Text Work by Women Artists & Writers', ed. Lisa Pearson, Pub. Siglio Press, LA, USA 2011

Aurore Bandini, 'The Big Society', art 21, no 31, été, France, pp. 62-65, 2011

Alice Motard, 'The Big Society', exhibition catalogue, pub. Galerie GP & N Vallois, Paris, France

'Secret Societies', Schirn Kunsthalle catalogue. Edited by Cristina Ricupero, Alexix Vaillant and Max Hollein. Snoeck Verlagsgesellschaft mbH, Cologne, 2011

'Rozowka and Transmission' - Artist in residence projects, published in 'Subiektywna Mapa Torunia', UTU, Torun, Poland 2011

Sabine Weier, 'Auf Zeitreiser zwischen Fakt und Fiktion', Schirnmag, 16 August 2011

Laura Cumming, 'Outrageous Fortune', The Observer, 31 July 2011

Lorenz Jager, 'Secret Societies, Schirn Kunsthalle', Frankfurter Allgemeine, 24 June 2011

Philippe Dagen, 'Nouvelles du Jour at Galerie JTM', Le Monde, 23-24/01/2011

Anthony Marcellini and Matthew David Rana. 'Rabbi Hackermann' comic strip in,"Everything Familiar Has Disappeared!," News of Common Possibility, San Francisco, Issue 3, July 2010

'Parallel Remix', exhibition catalogue, Leonard Hutton Galleries, New York, USA 2010

Mathias Jansson, 'Interview with Suzanne Treister',, Aug 2010

Rachel Potts, 'Interview with Suzanne Treister', Garageland 10: The Future, Issue 10, Summer 2010

Charlotte Laubard, Francine Fort, Yann Chateigné Tytelman, Emilie Renard and others, 'Insiders', exhibition catalogue, CAPC, Musée d'Art Contemporain de Bordeaux, France. Pub. Les presses du réel, France, 2010.

Alex Gartenfeld, 'VVORK', FANTOM Photographic quarterly, issue 03 Spring 2010

Michael Duncan, 'LONDON, Suzanne Treister at Alma Enterprises', Art in America, April 2010

Skye Sherwin, 'Suzanne Treister, MTB at Alma Enterprises', TimeOut, Nov 26 - Dec 2, 2009

Katy Deepwell, 'NATO: The Military Codification System for the Ordering of Everything in the World', (book review) n.paradoxa, volume 24, KT Press 2009. ISSN 1461-0434

'Magic Show' catalogue, essays by Sally O'Reilly and Jonathan Allen. Pub. Hayward Touring, UK 2009

Patricia Ellis and Angela Rosenberg, 'Scorpio's Garden', catalogue, Verlag der Buchhandlung Walther Konig, Cologne 2009 ISBN 978-3-86560-726-3

Rahma Khazam, 'Planet of Signs, Le Plateau', Critic's Pick, Artforum, October 2009

Interview with Josie Demuth, La Bouche, Issue 3 2009

Guillaume Désanges and Xavier Franceschi 'Érudition concrete 1- La Planete des signes - Le journal de l'exposition', Pub. Le Plateau/Frac Ile-de-France, 2009

Friedrich von Borries/Matthias Bottger/Florian Heilmeyer , TV Towers - 8,559 Meters Politics and Architecture, Pub. Jovis Verlag, Berlin and Liaoning Publishers, Shenyang, 2009

Daniel Belasco; with contributions by Arnold M. Eisen, Julie Lasky, Danya Ruttenberg, and Tamar Rubin, 'Reinventing Ritual: Contemporary Art and Design for Jewish Life', Yale University Press, 2009 ISBN: 9780300146820

Ken Johnson, 'Image Search at P.P.O.W', The New York Times, July 10, 2009

Marie Lechner, 'Wach sind nur die Geister, über Gespenster und ihre Medien' au HMKV, Dortmund, Libération, France 30/06/2009

Verena Kuni, Thibaut de Ruyter and Inke Arns, 'WACH SIND NUR DIE GEISTER', catalogue. Published by Revolver Publishing , Berlin. 2009

Lars Bang Larsen, Catalogue essay for 'The Secret of the Ninth Planet', Pub. CCA, San Francisco, USA. 2009

Annette Hoffmann, 'Weit verzweigte Narration 'Histoires a l'ere numerique' legt im Basler', Kunstmagazin> Magazine d'Art Regioartline, No. 5. 2009

Alexander Roob, 'In conversation with Suzanne Treister on her War Artists series', Melton Prior Institute, Dusseldorf, Germany . 20/02/2009

Natasa Petrsin - Bachelez, 'Blame It on Gorbachev: The Sources of Inspiration and crucial Turning Points of Inke Arns', e-flux Journal # 1, 12/2008

Daniel Soar, 'NATO: The Military Codification System for the Ordering of Everything in the World', London Review of Books, 6 Nov 2008

Eve Sullivan, 'NATO: The Military Codification System for the Ordering of Everything in the World', Contemporary, Issue 97, 2008

Jorn Ebner, 'Suzanne Treister at Annely Juda London', Frankfurter Allgemeine, 4 Oct 2008

Albert Mobilio, 'NATO: The Military Codification System for the Ordering of Everything in the World', Bookforum, Sept/Oct/Nov 2008

Inke Arns, 'Radar: Inke Arns uber Suzanne Treister', ART das kunstmagazin, 15 Sept 2008

Nicolas Bourquin and Thibaud Tissot, 'HEXEN 2039' in: 'DATA FLOW' (a contemporary approach to diagrams), Pub. Die Gestalten Verlag (dgv),Berlin, Germany 2008

Leigh Anne Miller, Suzanne Treister and Kim Rugg at P.P.O.W Art in America, June/July 2008

'Drawings - Fit to Reprint' New York Sun, 16th April 2008

'ICOLS department of Future Projections' - artist page, Futures Magazine, 2007

Tony Ozuna, Connect the dots Ð In a blending of fact and fantasy, lessons for a troubled age (Hexen 2039 at Skolska 28) Prague Post Oct 1 2007

Sebastian Preuss, 'Mythen, Monster und Modisten', Berliner Zeitung, 26.06.2007

Christoph Tannert, Valeria Schulte-Fischedick, Christian Schindler 'Gegen den Strich', catalogue publ. Künstlerhaus Bethanien, 2007

Tom Lubbock, '5 Best Exhibitions' Suzanne Treister, Hexen 2039 New Art Gallery Walsall,The Independent, 28th June 2007

Annely Juda - A Celebration, Annely Juda Fine Art, London, 2007

VESNA artist pages, The Balkans - special issue, Third Text, 85, Vol 21, Issue 2, March 2007

Suzanne Treister, chapter in: 'Videogames and Art', Ed. Andy Clarke, Grethe Mitchell, Publ. Intellect Books, UK and University of Chicago Press, 2007

Dan Smith, 'Unnatural Histories' Art Monthly, No 304, March 2007

Jonathan Griffin, 'Suzanne Treister Hexen 2039' Frieze, issue 105, March 2007

Sherman Sam, 'Suzanne Treister Hexen 2039' The Brooklyn Rail, February 2007 and online at

Eve Sullivan 'Suzanne Treister: Hexen 2039', Contemporary, no 90, 2007

Gabriel Coxhead 'Digital Art- Infinite Editions' Ftmagazine/Financial Times, January 27/28 2007

Cameron Bain 'Scrying Stranger Aeons', Mute, 16 Jan 2007

Raimundas Malasauskas, 'Looking back/ most significant solo shows of 2006 (Suzanne Treister Hexen 2039)', Frieze, Issue 104, January-February 2007

Louisa Buck 'Hexen 2039 - Warburg Screening' The Art Newspaper London Diary Volume XV, No. 175, December 2006

David Barrett 'Suzanne Treister, Chelsea Space' Art Monthly No 302 Dec-Jan 06-07 online at find articles

Helen Sumpter 'HEXEN 2039' TimeOut, November 15-22 2006

'Blur of the Otherworldly: Contemporary Art, Technology, and the Paranormal' Essays by Lynne Tillman, Marina Warner, Mark Alice Durant and Jane D. Marsching. Publ. Center for Art and Visual Culture, University of Maryland Baltimore County USA. Dist. DAP New York 2006

Artists page (NATO) Mister Motley, Magazine over Kunst, Amsterdam, nummer 9 - 'idealen!' 2006

Suzanne Treister, 'From Fictional Video Game Stills to Time Travelling with Rosalind Brodsky 1991-2005' Journal of Media Practice, Intellect Books, Vol 7 Number 1 2006

Modern Art: A Critical Introduction 2nd edition, Pam Meecham & Julie Sheldon, Publ. Routledge London 2005

Paco Barragan, Roselee Goldberg, Coco Fusco - No lo Llames Performance/Don't call it Performance Exhibition cat.Publ. Fundacion Salamanca Ciudad de Cultura & El Museo del Barrio, New York 2004

Bettina Knaup, Sabina Potocki with essay by Katy Deepwell, Mesto Zensk/City of Women catalogue, Ljubljana, Slovenia, 2004

Paul Brown - Operation Swanlake RealTime No 63 2004

PLANET B Die €sthetik des B-movies in der zeitgenšssischen Kunst. Catalogue, dist, 2004

Artist pages n.paradoxa Volume 14 - Dreams of the Future, July 2004

Jean Wainwright - Operation Swanlake Art Monthly (UK) No 278 July - August 2004

Rebecca Geldard - Operation Swanlake TimeOut No. 1765 June 16-23 2004

Merryn Gates - Metis time:04 catalogue, publ. Canberra Contemporary Art Space, 2004

Kathy Rae Huffman 'Science by Artists', Publisher: Cornerhouse Publications, Nov 2004

Pam Skelton - Unframed: the Practices and Politics of Women Painting ed. Rosemary Betterton, Publ. IB Taurus, London, 2003

Michael Duncan - Self created worlds Art in America Oct 2002

Jeff Gibson - Biennale of Sydney Artforum Fall 2002

Alexie Glass - Fantastic Voyage Monument No. 47 April/May 2002

Andrew Frost - Sydney Biennale a-z definitive guide Metaphysics, Pataphysics, Astrophysics, Literature, History, Jazz etc Australian Style No 62 May 2002

Michael Smith - of fakes and UFOs, artists and aliens The Drum Media 21 May 2002

Samantha Selinger-Morris - In your dreams HQ May 2002

Bruce James - Why the Biennale is a bit of a miracle Sydney Morning Herald 17.5.2002

Rachel Withers - Sydney Biennale diary Artforum online May 2002

Fietta Jarque - El capital siempre determina a las biendes El Pais 16.2.2002

Michael Bodey - A conspiracy to open our minds Daily Telegraph 13.3.2002

Flash Art (Italy) A Sydney apre la Biennale: la finzione a di scena April/May 2002

Simon Rees - 2002 Biennale of Sydney Flash Art No 225 July/Sept 2002

Sharon Verghis - Stand by for Biennale's showcase of the strange Sydney Morning Herald 13.3.2002

Benjamin Genocchio - As good as a wink The Weekend Australian 25/26.5.2002

Jennifer Sexton - Odds favour unreal event The Australian 13.3.2002

Victoria Hynes - Really Fantastic - Intrigue, ingenuity and eccentricity Sydney Morning Herald 11.5.2002

Jennifer Sexton - Purely personal The Weekend Australian-Review 11/12.5.2002

Gene Autry - Aliens stole my biennale Art Monthly (Australia) no. 150 June 2002

Hannah Fink - Fabulous-Biennale of Sydney Art Monthly (Australia) no. 151 July 2002

Courtney Kidd - (The world may be) fantastic! State of the Arts May-Aug 2002

Sotiris Kyriacou - Biennale of Sydney Contemporary June,July,Aug 2002

Various writers Critical Interventions-Biennale of Sydney 2002 Publ. Artspace Sydney 2002

Sasha Grishin - Biennale of Sydney Canberra Times 10.6.2002

Richard Grayson - Grasshopper Worlds 2002 Biennale of Sydney catalogue

Marek Kohn - Bizarre New World (artist essay) 2002 Biennale of Sydney catalogue

John McPhee - Art is the prize for raiders of the state archives Sydney Morning Herald 8.5.2002

Victoria Hynes - Critic's picks ICOLS [Art meets Archive] Sydney Morning Herald 7/6/2002

Alex Gawronsky - Model Citizen-Artspace Broadsheet Vol 31 no1 Autumn 2002

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', chapter by Jyanni Steffensen in:
_Reload_Rethinking Women + Cyberculture, ed. Mary Flanagan and Austin Booth. MIT Press 2002

Chapter on Rosalind Brodsky in Digital Thinking: New Metaphors for Technoscienceand Technoculture by Jyanni
Steffensen. Durham, NC: Duke University Press, 2001

Mike Leggett - Time Travelling with Rosalind Brodsky Leonardo 34.1 (2001) 76

Verena Kuni - Passwort: Transit. eMigrantinnen im elektronischen Raum 2000

Mike Leggett - The Speed of Light

Kelly Ford - Spooky: Ghost, Spirits And The Uncanny

Annemarie Lopez - Gene Spill CitySearch

Sarah Thomas/John Neylon - Chemistry catalogue Art Gallery of South Australia 2000

Katy Deepwell - n.paradoxa (UK)Vol 6, July 2000

Courtney Kidd - Critic's picks Sydney Morning Herald 18 Aug 2000

Daniel Palmer - No Other Symptoms Photofile 59, Aug 2000

Mike Leggett - Redefining hybridity: CD-ROM possibilities RealTime 38 Aug-Sept 2000

De Decker Geert - Sztuka Fabryka -

Taru Elfving - No Other Symptoms Make (UK) No.87 March-May 2000

Michael Gibbs - Time Travel Art Monthly (UK) No 235 April 2000

Sally O'Reilly - London Arts Online feature, (Excerpts from CD ROM )

Linda Carroli - Odyssey Broadsheet Vol28 summer 2000

Joni Taylor - 'Time travel is your only means of escape', RealTime 35 Feb 2000

Marek Kohn - 'No Other Symptoms', The Sunday Review, The Independent on Sunday (UK) 16/1/2000

Jyanni Steffensen - 'Brodsky Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators', 'Exploring Cybersociety: Social, Political, Economic and Cultural Issues', ed. John Armitage and Joanne Roberts (Newcastle: University of Northumbria, 1999)

Linda Marie Walker - 'Rosalind Brodsky Cookery Show', Artlink Vol 19 no.4 Summer 1999

Jyanni Steffensen - 'PI in New York'. Broadsheet Vol 28 No2 Winter 1999

Jenny Jones - 'Isea 98', Make (U.K.) No. 82 Dec 98-Feb 99

Jyanni Steffensen - 'Point, Click, Point, Click, Boing', Broadsheet Vol 27 No 4 Summer 1998

Honor Harger - 'Shape-Shifting', A review of Throw Down a Shape at Supermild, Adelaide, Australia 4 November, 1998

Innerscapes - 'An anthology of artist's writings', Ed: Maurizio Pellegrin, Publ: Trieste Contemporanea 1998

Emma McGlade - 'Isea 98' Bigmouth Liverpool

Artist pages ('Rosalind Brodsky' project) - Arkzin (Zagreb) No 4 (100/101) 12.'97./01.'98.

Georgy Downey - 'hot links', Broadsheet Vol 26 No 3 Spring 1997

Dugal McCrow - 'On a Clear Day' liveart magazine (U.K.)Issue 14/15 May-July 1997

Jyanni Steffensen - 'Kitsch'n Shrink', Globe E internet journal

Jyanni Steffensen - 'triple treats', RealTime 17 Feb-Mar 1997

James Flint - Wired (U.K.) 3.01 Jan 1997

Tony White - 'On a Clear Day', Wired (U.K.) 3.02 Feb 1997

Achille Bonito Oliva + Claudio Di Biagio - Heteronymous, catalogue essays, 1997

'Heteronymous', TimeOut (Rome) May 1997

David Barrett - 'On a Clear Day', Frieze Issue 33 1997

Brian Lynch - 'Suzanne Treister, Art Gallery of South Australia', Db Issue 145 1997

David O'Halloran - Visual Arts Program Telstra Adelaide Festival 1996

Sarah Thomas - 'Raking through Compost', Broadsheet Vol 25 No2 Winter 1996

John Paul Bichard (ed) On a Clear Day, comic book and CD ROM

Jill Bennett - 'Compost', Art+Text no.54 1996

Brett Buttfield - 'White Hysteria', Db (Adelaide) Issue #121 June/July 1996

John Neylon - 'White Hysteria', Adelaide Review July 1996

Stephanie Radok - 'White Hysteria', Artlink Vol 16 no.4 Summer 1996

Tania Guha - 'White Hysteria', TimeOut London, Aug 7-14 1996

Artist's page with Kazuko Shiraishi, Hanatsubaki magazine Tokyo,September 1996

Ian Howard - 'Faults, functions and fantasy', Brisbane Courier Mail Sept 5 1996

Interview with Mutual Reality http:/ re. ICA/Toshiba comm.

Pauline van Mourik Broekman - 'On a Clear Day', Mute-digitalartcritique Autumn 1996 issue 6

Louise Nunn - 'At home in Adelaide', Adelaide Advertiser Nov 19 1996

Catriona Murtagh - 'Dying for your sins', Mesh Issue 10. Spring 1996

Shiralee Saul - Domestic Disturbances catalogue essay, National Gallery of Victoria Melbourne,1996

Linda Carroli - 'The Castle as Interzone', Broadsheet Vol 25 No4 Summer 1996/7

Leah Kharibian - It's a Pleasure Royal Festival Hall catalogue and selected quotes,1995

Sue Hubbard - 'It's a Pleasure', TimeOut Feb 1-8 1995

Informer National The Face no.76 Jan 1995

Anne Brennan/June Mary Scott - Catalogue essays U.K. Wit and Excess, CAC Adelaide 1995

anon - 'Weird Science', The Manila Times 12.8.95

Zoe Soufoulis/Zara Stanhope - Technothelylogia, catalogue essays, Monash University 1995

Francis Hagan - Artist profile Art + Tech (U.K.) 2.01 edition 1995

Sarah Kent - 'Pretext:Heteronyms', TimeOut 22-29 Nov 1995

Stella Santacatterina - 'Art after Indifference Pretext:Heteronyms', cat. essay, Rear Window publications(U.K.) 1995

Adrian Searle - 'Works for a complex age', New Voices catalogue, British Council 1995

Mark Durden - 'Pretext:Heteronyms', Art Monthly (U.K.) no.192 Dec/Jan 1995/6

Jenny McFarlane - 'ROMulus and RAMbo', Photofile Nov 1995 no.46

Jyanni Steffensen - 'Parallel Gallery and Journal', Photofile, Nov 1995 no.46

Anna Clabburn - 'Technothelylogia', World Art 4/1995

Steve Wigg - 'Impolite questions', Broadsheet Vol 23 No 2 Winter 1994

AnneRobertson - 'Flat', Agenda Issue 37, July 1994

Richard Grayson - Between the clues lies the evidence (Post West Gallery 1992) The Post West Book [Pub.+ Ed. Alan Cruickshank] Adelaide 1994

Stephanie Radok - 'Critical mass/city art/artists initiatives', Artlink Vol 14 No 2 1994

Julianne Pierce - 'Selecting the morph tool', Broadsheet Vol 23 No 2 Winter 1994

Olga Spiegel - La Vanguardia 19 March 1994

Steve Wigg - 'Virtual history', Artlink Vol 14 No 3,Spring 1994

John McEwen - Whitechapel Open Daily Telegraph 15 May 1994

Corina Mersch - Luxemburger Land No 13/2 April 1993

Brett Buttfield - Db Magazine (Adelaide) #49, 18-31 August 1993

Ken Bolton - 'Artist run alternatives', Art + Australia Vol 31 No 2 1993

Jyanni Steffensen - 'Virtual(ly) real desire; Software', Broadsheet (Adelaide) Vol 22 & No 3, Spring 1993
& in Salient: SA Visual Art 1992-95 Anthology, [Pub. + Ed. Alan Cruickshank] Adelaide Festival, 1996

Samuel Fessler - 'When canvas meets screen', Hampstead & Highgate Express 14/2/1992

John McEwen - Sunday Telegraph 16/2/1992

Adrian Searle - TimeOut 19-26 Feb 1992

Charles Hall - Arts Review March 1992

Andrew Renton - Flash Art May/June 1992 view

Catherine Lumby - Art + Text 43 September 1992

Catherine Lumby - Artlink Vol 12 No 3 Spring 1992

Tony Godfrey - 'A British Painting for the 90's', Art in America April 1991

Tom Lubbock - Independent on Sunday 1/4/1990

Sarah Kent - TimeOut April 18-25 1990

Mark Currah - City Limits May 3-10 1990

Nikkei Art June 1990

Andrea Schlieker - Decoy catalogue essay, Serpentine Gallery 1990

Sarah Kent - 'Decoy- Lie of the Land', TimeOut May 2-9 1990

Rose Jennings - 'Nature Studies', City Limits May 3-10 1990

William Feaver - 'Landscapes of the video age', Sunday Observer 13/5/1990

Andrew Graham - Dixon - 'Decoy at the Serpentine Gallery', The Independent 15/5/1990

Tim Hilton - 'Nebulous Landscapes', The Guardian 16/5/1990

Sue Hubbard - Bath contemporary art fair 20/20 May 1990

Susan Chadwick - The Houston Post 1/7/1990

Andrew Hoellering - 'Suzanne Treister', Spacex Exeter The Guardian 29/8/1990

Sotiris Kyriacou - Artscribe Sept/Oct 1990

Kazu Kaido - Ikebana Sogetsu Spring 1989

Carolyn Cohen - '40 under 40', Art & Design Vol 5, no. 3/4 1989

William Feaver - 'Character cats and shepherd's pie skies', The Observer 22/10/1989

Marina Vaizey - 'British art finds a new freedom', Sunday Times 29/10/1989

Sarah Kent - 'Back for Moores', 20/20 Nov 1989

Robin Dutt - The Independent 26/1/ 1988

Allen Robertson - TimeOut Feb 3-10 1988

Matthew Collings - City Limits 4-11 Feb 1988

Mary Rose Beaumont - Arts Review 12/2/1988

Tony Godfrey - The Burlington Magazine April 1988

David Lovely - 'Something Solid', Arts Review May 1988

Something solid, exhibition catalogue, Cornerhouse Gallery, Manchester, England 1988

Tony Godfrey - 'Classicism in painting today', Art & Design June 1988

Lynne Cooke - Art International Autumn 1988

Higgins and Cohen - New British Painting, Phaidon 1988

Peggy Cyphers - 'New York in review', Arts Magazine Oct 1988

Marjorie Allthorpe-Guyton The Golden Thread?, Catalogue essay, Harris Museum and Art Gallery, Preston, UK 1986

John Roberts - 'Interference', Artscribe sept/oct 1986

Greg Hilty and Kate Macfarlane - Interference, catalogue essays. publ. Riverside Studios, London 1986


Interview with Morgan Quaintance. Studio Visit: Since the 1980s, visionary polymath and multidisciplinary artist Suzanne Treister has been exploring the outer reaches of social, scientific and aesthetic complexity. Resonance FM, 7 Feb 2018

Interview about the exhibition 'Works from SURVIVOR (F)' at Image Music Text (IMT) London with Maggie Roberts and Lucy Sames, November 2017

Interview with Federica Tattoli for Fruit of the Forest magazine on SURVIVOR (F) exhibition at IMT Gallery, London, October 2017 original interview

Interview with Beatriz García, Láudano Magazine, Spain. August2017 original interview

Interview with Suzanne Treister by Alex Bennett, novembre magazine, 18 December 2016

Interview, HFT The Gardener, with Liverpool Biennial, September 2016 / original interview

Fatos Üstek Interviews Suzanne Treister for fig-2, ICA, London. April 2015

Interview with Marie Lechner in conjunction with Welcome to the Future! the floppy cd-rom revolution (or the short life of born-digital art) March 19 - April 26, 2015 iMAL, Brussels. February 2015

Boris Ondreička interviews Suzanne Treister
Exhibition RARE EARTH: Thyssen-Bornemisza Art Contemporary / / Augarten, Vienna, Austria, Feb 2015

Cybernetics and the post-surveillance age
Interview with Ashleigh Kane, Dazed and Confused, October 2014
Read full interview Read published version

Post-Surveillance: Suzanne Treister's riposte to 'Post-Internet' art
Interview with Digby Warde- Aldham for Apollo, August 2014
Read full interview Read published version

Interview with Omar Kholeif
Published in catalogue accompanying exhibition by Constant Dullaart at Carroll/Fletcher, London, England April 2014

Networks in Reverse: From the Interplanetary Internet via the ARPANET to the Last Pre-Internet Moment, Chapter in: Networks, Edited by Lars Bang Larsen, Whitechapel Documents of Contemporary Art, published by MIT Press 2014
of reading at Adelaide Festival 2014 with introduction by Lars Bang Larsen

Occult Cybernetics - Interview with Erik Davis
Expanding Mind radio show, San Francisco, USA
12 September 2013

Seeing in the dark - Interview with Alan Dunn
Alan Dunn on Suzanne Treister's 20 CIA BLACK SITES, Stimulus Respond magazine, Omen, Summer 2012

The Axis of Hexis: An Interview with Suzanne Treister (HEXEN 2.0)
Interview with ATA Quarterly Journal, Summer 2012

Interview with Rachel Potts
Garageland magazine, 'Future' issue, London, May 2010

'Suzanne Treister, capturing the essence of gaming since the '80s'
Interview with Mathias Jansson - Part of a series on the pioneers of videogame art., Aug 2010

'Suzanne Treister in conversation with Kirstie Skinner and Kate Gray'
Collective Gallery
, Edinburgh, Feb 2010 (podcast)

'What Happens in the Gaps: An Interview with Suzanne Treister by Roger Luckhurst'
2009. Published in 'The Machine & the Ghost: Technology & Spiritualism in 19th to 21st Century Art & Culture', Manchester University Press 2014

Interview with Josie Demuth
La Bouche, Issue 3, September 2009

'In conversation with Suzanne Treister on her War Artists series'
Alexander Roob, Melton Prior Institute, Dusseldorf, Germany . 20.02.2009

Interview with Rolf Clement on the exhibition '3 Projects' at Annely Juda Fine Art, London
Deutschlandfunk - Kultur heute, 10.11.2008

'15 Questions about Hexen 2039'
Interview with Angelique van Engelen , March 2007

'From Fictional Videogame Stills to Time Travelling with Rosalind Brodsky 1991 - 2005'
Essay by Suzanne Treister in:'Videogames and Art', Ed. Andy Clarke, Grethe Mitchell, Publ. Intellect Books, UK 2007



1983-1996 Visiting lecturer at St Martins School of Art; Chelsea School of Art; Trent Polytechnic, Nottingham; Bath School of Art; Coventry Polytechnic; Royal College of Art, London; Goldsmith's College, London; Kingston Polytechnic, Central St Martins, London; Camberwell School of Art, London; Ruskin Oxford; Glasgow School of Art; Monash University, Melbourne; University of Leeds; Sydney College of the Arts, Australia; University of South Australia; Onkaparinga TAFE, South Australia.
1999-2000 Reading University; Wimbledon School of Art, London; University of Northumbria, Newcastle upon-Tyne; Goldsmith's College, London; University of Western Sydney-Nepean; Sydney College of the Arts.
2001 University of Newcastle upon Tyne, UK; University of Newcastle, Australia.
2002 UTS Sydney; University of Newcastle, Australia; University of Westminster, UK.
2003 Brighton University, UK; Wimbledon School of Art, London.
2004 Universitat der Künste, Fakultat Bildende Kunst, Institut für Kunst im Kontext, Berlin.
2007 University of Northumbria, Newcastle upon Tyne, UK.
2007 Berkeley University of California; Pomona College, Claremont, Los Angeles; New York University (NYU), USA.
2007 University of Gwent, Wales; University of Derby, UK.
2008 Wimbledon School of Art, London; University of Brighton, UK; University of Westminster, UK; Kunsthochschule für Medien Köln, Germany.
2011 Middlesex University, London
2013 Goldsmith's College, London; Central St Martins, London.
Goldsmith's College MFA Curating; Lecture hosted by Média Médiums, École Nationale Supérieure d'Arts Paris-Cergy & Université de Paris VIII, La Gaîté lyrique, Paris
2018 Slade, London



2018 COLLIDE International Award, CERN Geneva/FACT UK
Residency, Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
Arts Council England (Grant for Hexen 2.0)
Arts Council England (Grant for Hexen 2039 curated by Tania Nasielski)
National Digital Art Prize, Australia, 3rd prize.
1998 Australia Council, New Media Fund.
1998 Australian Film Commission, multimedia completion funding.
1997 Australia Council, New York studio residency (for 98/9).
1996 South Australian Department of Arts and Cultural Development. New Work grant.
1995 Australia Council, professional development grant.
1994 British Council, travel grant. Tokyo.
1994 South Australian Department of Arts and Cultural Development. New Work grant.
1992 British Council, travel grant, Australia.
1989 John Moores, Liverpool, 3rd prize.



Ambient (male) identity Broadsheet, vol 26, no.4. Summer 1997/98
Dean Whitehorn, Catalogue essay, Experimental Art Foundation,Adelaide 1997
UK Es & Whizz Broadsheet, vol 25, no.1. Autumn 1996
White Hysteria - interview with Bala Starr, Broadsheet, vol 25, no.2 Winter 1996
Patricia Piccinini & Alison Main Mesh- Experimenta media arts journal #8/9 Autumn/Winter 1996
Bad Girls, ICA London, Artlink Autumn 1994
Monstrous Gorgeous, Artlink Vol 14 no.4 Summer 1994/5
Mehmet Adil, Broadsheet Vol 23 no.4 Summer 1994
Bodiless Bodies of Work, Richard Grayson Performance Space, Sydney,catalogue essay 1995
Alex Rizkalla Broadsheet,vol 24 ,no.2 Winter 1995
Japophile/Hi Tack, Broadsheet Vol.22 No.2. June 1993/Salient 1996
Belshazzar, Richard Grayson Post West catalogue (Adelaide)1992
Forensic, Broadsheet Vol. 21. No.3 Sept 1992



PRESUMED INNOCENT-DISASTER Documentary by Heather Croall for "Carpet Burns" SBS Australia. Dec 1993



2000 'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', Next 1.0: New Extensions of Existing Technologies, Karlstad University, Sweden. Paper presented by Jyanni Steffensen.

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject' Verve at Artist's week, Telstra Adelaide Festival 2000, Ngapartji CMC. Paper presented by Jyanni Steffensen.

1999 Brodsky, Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators, Exploring Cybersociety, School of Social, Political and Economic Sciences, University of Northumbria, Newcastle, UK. Paper presented by Jyanni Steffensen.

Invading Ancestral Spaces through the Privileged Violence of Technology, futureScreen 99: AvAtArs | phantom agents dLux media arts at the Powerhouse Museum, Sydney. Paper presented by Jyanni Steffensen.

1994 Still Photography? International symposium on the transition from analog to digital imaging. University of Melbourne. Paper presented by myself.



2016 Monica Ross: A Critical Fine Art Practice, CHELSEA space, London, England (with Susan Hiller)

1997 Wardrobe, Madlove Gallery, Adelaide; The Performance Space, Sydney; I.M.A. Brisbane; P.I.C.A. Perth.

1996 White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room) Cleveland project space, Lotta Hammer Gallery, London; The Physics Room, Christchurch, New Zealand

1994 Flat, Union Gallery ,University of Adelaide, Australia (with L.E.Young)


Suzanne Treister is represented by Annely Juda Fine Art London and P.P.O.W New York

 Suzanne Treister homepage